Tim_M
1272
I'm at Peace with the many Pieces
Nov 03, 2014,16:15 PM
I'll be the devil's advocate.
Since the absolute production figures are *so* low, the large number of variations does little to dilute the appeal of the MMR. Consider that a piece unique is viewed as the ultimate in haute horlogerie prestige, and then consider that the larger the number of variations, the closer the individual MMR editions come to unique status.
My view is that a watch produced in less than 1,000 copies (total) cannot be devalued in any sense by the existence of finite variations. The nightmare of endless "limited" editions is embodied in the habits of Hublot or mid-2000 Audemars Piguet. I'm sure there are more "Juan Pablo Montoya" ROO "limited edition" titanium chronographs than there are MMRs of all descriptions.
The exclusivity of the MMR is in no way affected by variations as long as the absolute production number was capped, and it was. In the end, it makes no difference whether there are 800 units of the same watch or 800 units comprised of a dozen sub-variants. Examples with white gold cases, enamel dials, and mixed materials are worthy entries in this league of watchmaking. It's not as though any of them are co-branded with consumer products or celebrities.
Moreover, many of the limited variants are exceptionally appealing. The original MMR by Janek was not universally embraced, and I feel that certain of the variations are distinct improvements on the original. As in nature, variation occasionally improves the breed.
Best,
Tim
This message has been edited by Tim_M on 2014-11-03 16:23:29